In terms of a sound Oscar predictor (with sound editing and mixing merged into a single category), the sonic power and complexity of Denis Villeneuve’s “Dune” is going to be hard to beat. Its great achievement is creating a grounded reality that is both innovative and believable. So, rather than relying on over-hyped sounds, supervising sound editors Mark Mangini (the Oscar-winning “Mad Max: Fury Road”) and Theo Green (the Oscar-nominated “Blade Runner 2049”) conveyed an otherworldly palette that is hallucinatory yet gritty, from supernatural voices that rattle the mind to colossal sandworms that shake the sand dunes of Arrakis.
For “A Quiet Place Part II,” Oscar-nominated supervising sound editors Erik Aadahl and Ethan Van der Ryn expanded the alien creature sound design and created a larger vocabulary for John Krasinski’s horror sequel, in which the soundscape acts like a motor propelling the journey forward for the surviving Abbott family. For “The Matrix Resurrections,” supervising sound editors Dane A. Davis (who won the Oscar for “The Matrix”) and Stephanie Flack cracked a new code that was heavier and more unwieldy. This was in keeping with the older and more mournful Neo. In addition, to accompany the fight sequences with the latest audio tools, they created more visceral and exaggerated body blows. ©Warner Bros/Courtesy Everett Collection “No Time to Die” is the first Bond film to be mixed in Atmos, and director Cary Joji Fukunaga wanted sound editors Oliver Tarney and James Harrison to utilize the larger soundscape for Daniel Craig’s swan song. The Aston Martin DB5 opener in Matera is a great example. A salvo of high velocity rounds then thuds and cracks against the metal and glass of the car from every angle. They wanted this barrage to feel like a brutal 360° assault for the viewer.
Edgar Wright’s “Last Night in Soho,” which finds aspiring fashion designer Ellie (Thomasin McKenzie) transported back in time to ’60s Soho with horrifying results, became an “analog” homage overseen by Oscar-nominated supervising sound editor/re-recording mixer Julian Slater (“Baby Driver”). Which means his team bypassed modern sound design techniques in favor of methods from past years of horror sound tracks. Photo Credit: Jonny Cournoyer Animation nominees went to Disney’s “Encanto” and “Raya and the Last Dragon,” Pixar’s “Luca,” Netflix/Sony’s “The Mitchells vs. the Machines,” and Universal/Illumination’s “Sing 2.” Documentary feature nominees included “Billie Eilish: The World’s a Little Blurry,” “Flee,” “The Rescue,” “Summer of Soul,” “VAL,” and “The Velvet Underground.” Among the Foreign language nominees were “Cliff Walkers,” “The Hand of God,” “A Hero,” “Titane,” and “A Writer’s Odyssey.” Non-Theatrical documentary nominations went to “1971: The Year That Music Changed Everything”: “Episode 1,” “The Beatles Get Back”: “Part 3,” “Bob Ross: Happy Accidents, Betrayal & Greed,” “Exterminate All the Brutes,” “Formula 1: Drive to Survive”: “Down to the Wire,” “Life in Colour with David Attenborough”: “Seeing in Color,” “McCartney 3, 2, 1,” “Welcome to Earth.” Among the TV nominees were Lucasfilm’s “The Book of Boba Fett,” Marvel’s “Loki,” and “WandaVision,” “For All Mankind,” “Foundation,””Lost in Space,” “Mare of Easttown,””The Handmaid’s Tale,” “The Nevers,” “The Underground Railroad,” “The White Lotus,” “Squid Game,” “Star Trek Discovery “Succession,” “Ted Lasso.” As previously announced, Ron Howard will receive the Filmmaker Award and Chic Ciccolini (“Apollo 13”) is the Career Achievement recipient. 69th ANNUAL MPSE GOLDEN REEL AWARD NOMINEES Outstanding Achievement in Sound Editing – Feature Dialogue / ADR “Dune” Warner Bros. Dialogue Editor: David Bach “Last Night in Soho” Universal Pictures Supervising Sound Editors: Dan Morgan, Julian Slater MPSE Supervising ADR Editor: Dan Morgan “The Matrix Resurrections” Warner Bros. Supervising Sound Editors: Stephanie Flack, Dane A Davis MPSE Dialogue Editors: Marek Forreiter, Benjamin Hörbe, Dominik Schleier, Immo Trümpelmann “Nightmare Alley” Searchlight Pictures Supervising Sound Editor: Jill Purdy MPSE Supervising Dialogue Editor: Jill Purdy MPSE Supervising ADR Editor: Jill Purdy MPSE Dialogue Editor: Nelson Ferreira MPSE “No Time to Die” MGM/United Artists Releasing Supervising Dialogue & ADR Editors: Becki Ponting, Michael Maroussas Dialogue Editors: Rachael Tate MPSE, Adele Fletcher Supervising Sound Editor: Oliver Tarney MPSE “The Power of the Dog” Netflix Supervising Dialogue & ADR Editor: Leah Katz “A Quiet Place Part II” Paramount Pictures Supervising Sound Editor: Ethan Van der Ryn Supervising Dialogue & ADR Editors: Vanessa Lapato, Nancy Nugent Dialogue Editor: Matt Cavanaugh MPSE “The Tragedy of Macbeth” Apple TV+ Supervising Sound Editor: Skip Lievsay Supervising Dialogue Editor: Michael Feuser
Outstanding Achievement in Sound Editing – Feature Effects / Foley “Belfast” Focus Features Sound Designer: James Mather Sound Editor: Tomas Blazukas Foley Editor: Arthur Grayley Foley Artists: Sue Harding, Oliver Ferris “Dune” Warner Bros. Supervising Sound Editors: Theo Green, Mark Mangini MPSE Sound Designer: Dave Whitehead Sound Effects Editors: Phil Barrie, Lee Gilmore MPSE, Greg Ten Bosch MPSE, Robert Kellough MPSE, Piero Mura Foley Editor: Christopher Bonis Foley Artists: Andy Malcolm, Goro Koyama, Sandra Fox “The Matrix Resurrections” Warner Bros. Supervising Sound Editors: Dane A. Davis MPSE, Stephanie Flack Sound Effects Editors: Bryan O. Watkins, Jeremy Peirson, Markus Stemler, Michael Schapiro, Eric Lindemann, Albert Gasser MPSE, Laurent Kossayan MPSE, Caron Weidner Foley Editors: Frank Kruse, Kuen Il Song Foley Artist: Daniel Weiss “Nightmare Alley” Searchlight Pictures Supervising Sound Editor: Nathan Robitaille MPSE Sound Effects Editor: Dashen Naidoo Foley Editor: Chelsea Body Foley Artists: Goro Koyama, Andy Malcolm “No Time to Die” Universal Pictures Supervising Sound Editors: Oliver Tarney MPSE, James Harrison Sound Designers: Bryan Bowen, Eilam Hoffman Sound Effects Editor: Dawn Gough Foley Editor: Hugo Adams Foley Artists: Sue Harding, Andrea King A Quiet Place Part II Paramount Supervising Sound Editors: Ethan Van der Ryn, Erik Aadahl MPSE Sound Designers: Malte Bieler, Brandon Jones Sound Effects Editors: Chris Diebold, Matt Cavanaugh MPSE Foley Editor: Jonathan Klein Foley Artists: Steve Baine, Peter Persaud “Spider-Man: No Way Home” Sony Pictures Supervising Sound Editor: Steven Ticknor MPSE Sound Designer: Anthony Lamberti Outstanding Achievement in Sound Editing – Feature Music “Dune” Warner Bros. Supervising Music Editors: Clint Bennett, Ryan Rubin Music Editor: Peter Myles “Ghostbusters: Afterlife” Sony Pictures Supervising Music Editor: Curt Sobel “In the Heights” Warner Bros. Music Editors: Jim Bruening, Jennifer Dunnington, Ben Holiday “The Matrix Resurrections” Warner Bros. Supervising Music Editor: Gabriel Isaac Mounsey Music Editors: Hans Hafner, Jonathan Levi Shanes “Nightmare Alley” Searchlight Pictures Music Editors: Clint Bennett, Kevin Banks MPSE Scoring Editor: Cecile Tournesac “A Quiet Place Part II” Paramount Music Editors: Jim Schultz, Nancy Allen MPSE, Del Spiva MPSE, Ramiro Belgardt “Tick Tick Boom” Netflix Music Editors: Nancy Allen MPSE, John Davis, Bri Holland “West Side Story” 20th Century Studios Music Editors: Joe E. Rand, Ramiro Belgardt Scoring Editor: David Channing
Outstanding Achievement in Sound Editing – Feature Animation “Encanto” Walt Disney Animation Studios Supervising Sound Editor: Shannon Mills Supervising Dialogue Editor: Brad Semenoff MPSE Sound Designer: Nia Hansen Sound Effects Editors: Samson Neslund, Justin Doyle, Cameron Barker, Qianbaihui Yang MPSE Dialogue Editor: Richard Quinn Foley Editor: Alyssa Nevarez Foley Artists: John Roesch MPSE, Shelley Roden MPSE Supervising Music Editor: Earl Ghaffari Music Editors: Angie Rubin, Kendall Demarest MPSE “Luca” Pixar Animation Studios Supervising Sound Editors: Chris Scarabosio, André Fenley Supervising Dialogue Editor: Rich Quinn Supervising Foley Editor: Ronni Brown Sound Effects Editors: Justin Doyle, Pascal Garneau Foley Editor: E. Larry Oatfield Foley Artists: Jana Vance, Ronni Brown Music Editor: Lodge Worster “The Mitchells vs. the Machines” Sony Pictures Animation Supervising Sound Editor: Geoffrey G. Rubay Supervising ADR Editor: James Morioka Sound Designer: John Pospisil Sound Effects Editors: Kip Smedley, Andy Sisul MPSE, Alec G. Rubay, Dan Kenyon, Greg Ten Bosch MPSE ADR Editor: Curt Schulkey Foley Artist: Gregg Barbanell MPSE Foley Artist: Rick Owens MPSE Music Editors: Dominick Certo MPSE, Barbara McDermott “Raya and the Last Dragon” Walt Disney Animation Studios Supervising Sound Editor: Shannon Mills Supervising Dialogue Editor: Brad Semenoff MPSE Sound Designer: Nia Hansen Sound Effects Editors: Samson Neslund, David C. Hughes, Cameron Barker Foley Editors: Chris Frazier, Steve Orlando Foley Artists: John Roesch MPSE, Shelley Roden MPSE Supervising Music Editor: Jim Weidman Music Editor: David Olson “Sing 2” Illumination / Universal Pictures Supervising Sound Editor: Dennis Leonard Supervising Dialogue Editor: Jonathan Greber Supervising ADR Editor: Daniel Laurie Sound Designer: Josh Gold Sound Effects Editors: Lucas Miller, Benjamin A. Burtt Foley Editors: Shaun Farley MPSE, Jonathon Stevens Music Editors: Michael Connell, Charles Inouye Outstanding Achievement in Sound Editing – Feature Documentary “Billie Eilish: The World’s a Little Blurry” Apple TV+ Supervising Sound Editor: Richard Yawn MPSE Music Editor: Michael Brake MPSE Dialogue Editor: Rob Getty MPSE Sound Effects Editor: Steven Avila MPSE Foley Editor: Shawn Kennelly Foley Artists: Melissa Kennelly, Vince Nicastro “Flee” NEON/Participant Supervising Sound Editor: Edward Björner Dialogue Editor: Jens Johansson Sound Designer: Fredrik Jonsäter Foley Artists: Rune Van Deurs, Bengt Öberg “The Rescue” Disney+ Supervising Sound Editor: Deborah Wallach Sound Effects Editor: Roland Vajs Foley Artist: Nuno Bentro Music Editor: Ben Smithers “Summer of Soul (or, when the Revolution Could Not Be Televised)” Searchlight Pictures Supervising Sound Editor: Joshua L. Pearson Supervising Music Editor: Jimmy Douglass “The Velvet Underground” Apple TV+ Supervising Sound Editor: Leslie Shatz Music Editor: Jahn Sood
Outstanding Achievement in Sound Editing – Foreign Language Feature “Cliff Walkers” Viki Supervising Sound Editors: Yang Jiang MPSE, Zhao Nan MPSE ADR Editor: Li Xinghui Foley Artist: Han Junsheng Sound Editors: Ann Scibelli, Xiao’ou Olivia Zhang MPSE, Iain Pattison “The Hand of God” Netflix Supervising Sound Editor: Silvia Moraes “Titane” NEON Sound Editor: Séverin Favriau Foley Artist: Céline Bernard “A Writer’s Oddyssey” Netflix Supervising Sound Editor: Xiao Sha Liu Supervising ADR Editor: Xiao Sha Liu Sound Designer: Gang Wang Sound Effects Editors: Shuang Shuang Wang, Hong Rui Ji, Gang Wang, Ruo Qi Mo, Tobias Poppe, Zi Jian Jiang Dialogue Editor: Zi Jin Foley Editor: Pei Ya Zhang Foley Artists: Zi Wei Wang, Yin Miao Music Editor: Fei Yu Outstanding Achievement in Sound Editing – Animation Series or Short “Jurassic World – Camp Cretaceous”: “Eye of the Storm” Netflix Supervising Sound Editor: Rob McIntyre MPSE Sound Designer: Evan Dockter Sound Effects Editors: Marc Schmidt, D.J. Lynch Dialogue Editor: Anna Adams Foley Editor: Aran Tanchum Foley Artists: Ezra Walker, Vincent Guisetti “Love, Death + Robots”: “Snow in the Desert” Netflix Supervising Sound Editor: Brad North MPSE Sound Designer: Craig Henighan MPSE Foley Editors: Jeff Gross, Dawn Lunsford Foley Artist: Alicia Stevens Music Editor: Jeff Charbonneau “Star Trek: Lower Decks”: “Strange Energies” Paramount+ Supervising Sound Editor: James Lucero Sound Effects Editors: James Singleton, Mak Kellerman Dialogue Editor: Michael LaFerla Foley Artist: Michael Britt “Star Wars: Visions”: “The Duel” Disney+ Supervising Sound Editors: David W. Collins, Matthew Wood Sound Designer: David W. Collins Sound Editor: Luke Dunn Gielmuda Foley Artist: Jana Vance “Star Wars: The Bad Batch”: “Reunion” Disney+ Supervising Sound Editor: Matthew Wood Sound Designer: David W. Collins Sound Editor: David W. Collins Foley Editor: Frank Rinella Foley Artist: Kimberly Patrick “Star Wars: A Galaxy of Sounds”: “Excitement” Disney+ Supervising Sound Editor: David W. Collins Sound Designers: Ben Burtt, David Acord, Ren Klyce, Tim Nielson, Chris Scarabosio, Tom Bellfort, Sam Shaw, Gary Rydstrom MPSE Sound Editor: Matthew Wood Outstanding Achievement in Sound Editing – Limited Series or Anthology
“The Book of Boba Fett” Disney+ Supervising Sound Editors: Matt Wood, Bonnie Wild Sound Designer: David Acord Sound Effects Editor: David Collins ADR Editors: Angela Ang, Ryan Cota Foley Editor: Alyssa Nevarez Foley Artists: Ronni Brown, Andrea Gard, Sean England, Margie O’Malley “Loki: “Journey Into Mystery” Disney+ Supervising Sound Editors: David Acord, Matthew Wood Sound Effects Editors: Kyrsten Mate MPSE, Adam Kopald Supervising Dialogue Editor: Steve Slanec ADR Editor: Brad Semenoff MPSE Sound Designer: David Farmer MPSE Foley Editor: Joel Raabe Foley Artists: Shelley Roden MPSE, John Roesch MPSE Supervising Music Editor: Anele Onyekwere Music Editors: Nashia Wachsman, Ed Hamilton “Mare of Easttown”: “Illusions” HBO Max Supervising Sound Editor: Bradley North MPSE Dialogue Editor: Tiffany S. Griffith Sound Effects Editor: Jordan Wilby MPSE Foley Editor: Antony Zeller MPSE Foley Artist: Zane Bruce Music Editor: Stephanie Lowry “WandaVision”: “The Series Finale” Disney+ Supervising Sound Editors: Gwen Whittle MPSE, Kimberly Foscato Sound Designer: Steve Orlando Sound Effects Editors: Scott Guitteau, Jon Borland, Samson Neslund, Richard Gould Supervising Music Editor: Anele Onyekwere ADR Editors: James Spencer, Chris Gridley Foley Editor: Luke Dunn Gielmuda Music Editors: Fernand Bos MPSE, Tom Kramer Foley Artists: Ronni Brown, Shelley Roden MPSE, John Roesch MPSE “The White Lotus” HBO Max Supervising Sound Editor: Kathryn Madsen MPSE Supervising Dialogue Editor: Paul Hammond Sound Effects Editor: Mark Allen MPSE Foley Artist: Stefan Fraticelli Music Editor: Mikael Sandgren Outstanding Achievement in Sound Editing – Non-Theatrical Animation “Arcane – League of Legends”: “When These Walls Come Tumbling Down” Netflix Supervising Sound Editors: Brad Beaumont MPSE, Eliot Connors MPSE Supervising Music Editor: Alexander Temple Supervising ADR Editor: Shannon Beaumont Foley Editor: Alexander Ephraim MPSE Foley Artists: Dan O’ Connell, John Cucci MPSE Music Editor: Alex Seaver “Lego Star Wars”: “Terrifying Tales” Disney+ Supervising Sound Editors: David W. Collins, Matthew Wood Sound Designer: David W. Collins Sound Editors: Justin Doyle, Bonnie Wild Foley Editor: Frank Rinella Foley Artists: Kimberly Patrick, Andrea Gard “Maya and the Three”: “Chapter 9: The Sun and the Moon” Netflix Supervising Sound Editor: Scott Martin Gershin MPSE Sound Designers: Chris Richardson, Andrew Vernon MPSE Sound Designer: Scott Martin Gershin MPSE Sound Effects Editors: David Barbee MPSE, Masanobu “Tomi” Tomita Foley Artist: Dan O’Connell Music Editor: Andres Locsey
“What if”…Doctor Strange Lost His Heart Instead of His Hands? Disney+ Supervising Sound Editor: Mac Smith Sound Effects Editors: Bill Rudolph, Alyssa Nevarez Dialogue Editor: Cheryl Nardi Supervising Music Editor: Anele Onyekwere Music Editor: Tom Kramer Foley Artists: John Roesch MPSE, Shelley Roden MPSE “White Snake 2”: “The Tribulation of the Green Snake” Netflix Supervising Sound Editor: Gary Chen Sound Designer: Gary Chen Sound Effects Editors: Wang Shuangshuang, Gary Chen, Mango Mok, Ji Hongrui, Irene Sun, Qiu Yi ADR Editors: Listen Zhang, Liu Huizhe Foley Editors: Liu Huizhe, Cui Lin Foley Artist: Wang Ziwei, Miao Yin, Zhang Jindong, Xin Shengnan Outstanding Achievement in Sound Editing – Non-Theatrical Documentary “1971: The Year That Music Changed Everything”: “Episode 1” Apple TV+ Supervising Sound Editors: Andy Shelley, Stephen Griffiths Sound Effects Editors: Tae Hak Kim, Justin Dolby Dialogue Editor: Claire Ellis Foley Editors: Adam Oakley, Paolo Pavesi Music Editors: Dan Johnson, Nas Parkash Foley Artists: Zoe Freed, Rebecca Heathcote “The Beatles Get Back”: “Part 3” Disney+ Supervising Sound Editors: Brent Burge, Martin Kwok Sound Editors: Matt Stutter MPSE, Buster Flaws, Melanie Graham Dialogue Editor: Emile De La Rey Music Editors: Steve Gallagher MPSE, Tane Upjohn-Beatson Foley Editor: Michael Donaldson Foley Artist: Simon Riley “Bob Ross: Happy Accidents”, Betrayal & Greed Netflix Supervising Sound Editor: Trevor Gates Dialogue Editors: Ryan Briley, Taylor Jackson Sound Effects Editors: Paul B. Knox, Russell Topal MPSE, Mark Coffey Foley Editor: Alex Jongbloed Foley Artist: Tara Blume Music Editor: Liam Rice “Exterminate All the Brutes” HBO / HBO Max Sound Editors: Séverin Favriau, Emeline Aldeguer Dialogue Editor: Daniel Irribaren Foley Artist: Vincent Maloumian “Formula 1: Drive to Survive”: “Down to the Wire” Netflix Supervising Sound Editors: Steve Speed, Nick Fry Sound Effects Editor: Hugh Dwan Sound Designer: James Evans Dialogue Editor: Hugh Dwan “Life in Colour with David Attenborough”: “Seeing in Color” Netflix Supervising Sound Editor: Wayne Pashley MPSE Sound Effects Editor: Paul Fisher Foley Artists: Jonathan Cawte, Andy Devine, Richard Hinton Music Editor: James Dorman “McCartney 3, 2, 1” Hulu Supervising Sound Editor: Jonathan Greber Sound Editor: Leff Lefferts Dialogue Editors: E. Larry Oatfield, Bjorn Ole Schroeder Music Editor: Kim Foscato “Welcome to Earth” Disney+ Supervising Sound Editor: Jay Price Sound Effects Editor: Jay Price Dialogue Editor: Tom Foster Foley Editor: Stuart Bagshaw Music Editor: Ben Smithers Outstanding Achievement in Sound Editing – Non-Theatrical Feature “Fear of Rain” Hulu Supervising Sound Editor: David Barber MPSE Foley Editor: David Kitchens MPSE Sound Effects Editor: Ben Zarai Sound Designer: David Barbee, MPSE Foley Artist: Gonzalo “Bino” Espinoza ADR Editor: Michael Kreple
“Fear Street”: “Part Two – 1978” Netflix Supervising Sound Editor: Trevor Gates Supervising Dialogue Editor: Jason Dotts Sound Effects Editors: Matthew Thomas Hall, Russell Topal MPSE, Mark Coffey Dialogue Editors: Kristen Hirlinger, Harrison Meyle Foley Artist: Sandra Fox Music Editor: Brett “Snacky” Pierce MPSE “The Ice Road” Netflix Supervising Sound Editor: Trip Brock MPSE Sound Designer: Charles Maynes MPSE Supervising ADR Editor: Jacob Ortiz MPSE Dialogue Editor: Jackie Johnson Sound Effects Editors: Raymond Park MPSE, Demetri Evdoxiadis Foley Artists: Lorita de la Cerna, G.W. Pope, III MPSE Music Editor: Nicholas Fitzgerald “Infinite” Paramount+ Supervising Sound Editors: Mandell Winter MPSE, David Esparza MPSE Sound Designer: Hamilton Sterling Sound Effects Editor: Will Digby MPSE Dialogue Editors: Micah Loken MPSE, Sang Kim Foley Editor: Eryne Prine MPSE Music Editor: Mark “Vordo” Wlodarkiewicz Foley Artists: Dan O’Connell, John Cucci MPSE “Oslo” HBO Max Supervising Sound Editor: Lewis Goldstein Supervising ADR Editor: Gina Alfano MPSE Sound Designer: Peter John Still Sound Effects Editors: Alex Soto, Alfred DeGrand Dialogue Editor: Thomas Ryan Foley Editor: Wen Tseng Foley Artists: Leslie Bloome, Joanna Fang Outstanding Achievement in Sound Editing – ½ Hour – Comedy or Drama “Hacks”: “There Is No Line” HBO Max Supervising Sound Editor: Brett Hinton Sound Effects Editor: Marc Glassman MPSE Dialogue Editor: Ryne Gierke Foley Editor: Samuel Munoz Foley Artist: Noel Vought Music Editor: Jason Tregoe Newman “The Kominsky Method”: “The Round Toes, of the High Shoes” Netflix Supervising Sound Editor: Lou Thomas Sound Effects Editors: Mark Messick, TJ Jacques Foley Editor: Clay Weber MPSE Foley Artist: Sanaa Kelley “Mythic Quest”: “Everlight” Apple TV+ Supervising Sound Editor: Matthew E. Taylor Sound Designer: Pete Nichols Sound Effects Editor: Matthew Wilson Dialogue Editor: Sean Heissinger Foley Editor: David Jobe Foley Artists: Elizabeth Rainey, Jody Holwadel Thomas Music Editor: Joe Deveau “Only Murders in the Building”: “The Boy From 6B” Hulu Supervising Sound Editor: Mathew Waters Dialogue Editor: Danika Wikke MPSE Sound Effects Editor: Meredith Stacy Music Editor: Micha Liberman “Schmigadoon”: “Suddenly” Apple TV+ Supervising Sound Editor: Cormac Funge Sound Effects Editor: Peter Nichols Dialogue Editor: John Green “We Are Lady Parts”: “Sparta” Peacock Supervising Sound Editor: Jay Price Sound Editor: Tom Foster Dialogue Editor: Dario Swade Foley Editor: Sam Walsh “What We Do in the Shadows”: “The Escape” FX Supervising Sound Editor: Steffan Falesitch Sound Effects Editor: David Barbee MPSE Dialogue Editor: Chris Kahwaty MPSE Foley Editors: John Guentner, Sam Lewis Foley Artist: Ellen Heuer Music Editor: Steve Griffen Outstanding Achievement in Sound Editing – Series 1 Hour – Dialogue / ADR “For All Mankind”: “And Here’s to You” Apple TV+ Supervising Sound Editor: Vince Balunas MPSE Dialogue Editor: Vince Balunas MPSE ADR Editor: Vince Balunas MPSE “The Handmaid’s Tale”: “Vows” Hulu Supervising Sound Editor: David McCallum MPSE Dialogue Editor: Krystin Hunter
“The Morning Show”: “My Least Favorite Year” Apple TV+ Supervising Sound Editor: Mark Relyea MPSE Supervising ADR Editor: Julie Altus Dialogue Editor: Robert Guastini MPSE Supervising Dialogue Editor: Pernell Salinas “The Nevers”: “Pilot” HBO Max Supervising Sound Editor: Tim Kimmel MPSE Supervising ADR Editor: Tim Hands Supervising Dialogue Editor: John Matter MPSE “Squid Game”: “VIPS” Netflix Supervising Sound Editors: Hye-Young Kang, Tae-Young Choi Supervising ADR Editor: Byung-In Kim Supervising Dialogue Editor: Eun-Ji Ye “Star Trek Discovery”: “Kobayashi Maru” Paramount+ Supervising Sound Editor: Matthew E. Taylor Supervising Dialogue Editors: Sean Heissinger, Cormac Funge ADR Editor: Cormac Funge “Succession”: “Secession” HBO Max Supervising Sound Editor: Nicholas Renbeck MPSE Dialogue Editor: Michael Feuser ADR Editor: Angela Organ “Ted Lasso”: “Rainbow” Apple TV+ Supervising Sound Editor: Brent Findley MPSE CAS Dialogue Editor: Bernard Weiser MPSE Crowd Editor: Kip Smedley Outstanding Achievement in Sound Editing – Series 1 Hour – Effects / Foley “Foundation”: “The Emperor’s Peace” Apple TV+ Sound Designer: Tyler Whitham MPSE Sound Effects Editors: Paul Germann, Dave Rose Foley Artist: Steve Baine “The Handmaid’s Tale”: “Chicago” Hulu Supervising Sound Editors: Jane Tattersall MPSE, David McCallum MPSE Sound Effects Editor: Brennan Mercer Foley Editor: David Caporale Foley Artist: Sandra Fox “Lost in Space”: “Trust” Netflix Supervising Sound Editor: Branden Spencer MPSE Sound Designer: Benjamin Cook MPSE Sound Effects Editors: Shaughnessy Hare, Brendan Croxon Foley Artist: Paul Pirola “Squid Game”: “VIPS” Netflix Supervising Sound Editor: Hye-Young Kang Sound Designer: Ye-Jin Jo Sound Effects Editor: Hye-Jin Yang Foley Editor: Taek-Hyun Hong Foley Artist: Chung-Gyu Lee “Star Trek Discovery”: “Kobayashi Maru” Paramount+ Supervising Sound Editors: Matthew E. Taylor, Michael Schapiro Sound Designers: Harry Cohen MPSE, Katie Halliday MPSE Sound Effects Editor: Andrew Twite Foley Editor: Clay Weber MPSE Foley Artists: Alyson Moore, Chris Moriana “Ted Lasso”: “Beard’s Night Out” Apple TV+ Supervising Sound Editor: Brent Findley MPSE CAS Sound Effects Editors: Kip Smedley, Mark Cleary Foley Editors: Jordan McClain, Arno Stephanian MPSE Foley Artists: Sanaa Kelley, Matt Salib “The Witcher”: “A Grain of Truth” Netflix Supervising Sound Editor: Matthew Collinge Sound Designers: Rob Turner, Alyn Sclosa, Rob Prynne Foley Editors: Adam Oakley, Rob Weatherall Foley Artists: Zoe Freed, Rebecca Heathcote “Wu Tang: An American Saga” “Protect Ya Neck” Hulu Supervising Sound Editor: Thomas E. de Gorter MPSE Sound Designer: Michael O’Conner Foley Editors: Geordy Sincavage, Alex Jongbloed Foley Artists: Tara Blume, Monique Reymond Outstanding Achievement in Sound Editing – Series 1 Hour – Music “Cobra Kai”: “The Rise” Netflix Music Editor: Andres Locsey “See: Rock-a-Bye” Apple TV+ Music Editor: Dan Farkas
“Squid Game”: “Red Light, Green Light” Netflix Music Editor: Jae-il Jung “Star Trek Discovery”: “Kobayashi Maru” Paramount+ Supervising Music Editor: Moira Marquis Scoring Editor: Matea Prljevic “Ted Lasso”: “Rainbow” Apple TV+ Supervising Music Editor: Richard David Brown Music Editor: Sharyn Gersh MPSE “The Witcher”: “A Grain of Truth” Netflix Music Editor: Arabella Winter MPSE “Wu Tang: An American Saga”: “Protect Ya Neck” Hulu Music Editor: Sebastian Zuleta Outstanding Achievement in Sound Editing – Game Audio “The Ascent” Neon Giant Audio Director : Samuel Justice Audio Leads: Stefan Rutherford, Joe Thom Supervising Sound Editor: Csaba Wagner Sound Designers: Lee Banyard, Michael Benzie, Jordan Lee Colins, Luke Hatton, Joe Hudson, Jason W. Jennings, Michael Leaning, Barney Oram, Jack Raeburn, Stephano Sanchinelli, Chris Sweetman, John Tennant Sound Editors: Graham Donnelly, Eilam Hoffman
“Call of Duty”: Vanguard Infinity Ward Audio Director: David Swenson MPSE Audio Leads: Matthew Grimm, Ryan McSweeney, Michael Caisley, Eric Wedemeyer Supervising Sound Editors: Charles Deenen MPSE, Nick Interlandi, Nick Martin Supervising Dialogue Editor: Emilio Lopez-Centellas, Adam Boyd MPSE, Hilary Long Supervising Music Editors: Ted Kocher, Anthony Caruso Sound Designers: Kegan Chau, Fernando Labarthe, Sheridan Willard, Tyler Cannan, Michael Tornabene, Peter Wayne, Liam Underwood, Don Veca, Jeremiah Sypult, Andy Bayless, Darren Blondin, Nicholas D’Amato, Jacob Denny, Jacob Harley, Vadim Nuniyants, Timothy Schlie, Aaron Brown, Ian Mika, Tory Bader, Corina Bello, Darrell Tung, Jonathan Gosselin, Nick Tremblay, Mathieu Denis, Mikael Frithiof, Jon Persson, Braden Parkes, Erick Ocampo, Mike Maksim, Matt Hall, Chris Diebold, Jeff Sawyer, Josh Moore, Igor Comes, Tim Gedemer MPSE, Klaus Shipman, Jim Schaefer, Rashaad Wiggins Sound Editors: Daniel Petras, Jordan Ruhala, Matthew Schaff MPSE Dialogue Editors: Robert Jackson, Maggie Wolf, Alvaro Vela, Serge J. Isaac, Stiv Schneider, Juliana Henao Mesa, David Price Music Editors: Scott Shoemaker, Tao-Ping Chen, Adam Kallibjian, Rob Goodson, Andrew Buresh Foley Artist: Foley Walkers “Halo Infinite” Xbox Game Studios Audio Director: Sotaro Tojima Audio Leads: Kyle Fraser, Jomo Kangethe, Robbie Elias, Chase Thompson Supervising Sound Editors: Samuel Justice, Csaba Wagner Supervising Dialogue Editors: Josh Bandy, Emma Emrich Supervising Music Editor: Joel Yarger Sound Designers: Noa Lothian, Daniel Raimo, Pax Helgesen, Nick D’Amato, Gary Spinrad MPSE, Michael Leaning, Stefan Rutherford, Mitchell Osias, Bryan O. Watkins, Andrew Lackey, Laura Taylor, David Farmer MPSE, Adam Boyd MPSE, Graham Donnelly, John Loranger MPSE, Barney Oram, Frank Petreikis, Austin Shannon, Chris Sweetman, Matthew Wesdock, Robert Blake, Paul Hackner MPSE Sound Effects Editors: Zeke Fenelon, Stephen Brown, Adam Croft, Joshua Du Chene, Thornton Prime VI, Kochun Hu, Ben Kersten, Spencer Riedel Foley Artists: John Roesch MPSE, Alyson Dee Moore, Christopher Moriana, Bogdan Zavarzin Dialogue Editors: Monet Gardiner, Garret Montgomery MPSE, Daniel P. Francis MPSE, Peret Von Sturmer Music Editors: Colin Andrew Grant, Cameron Konner “Ratchet & Clank”: A Rift Apart Insomniac Games Audio Leads: Daniel Birczynski, Dwight Okahara, Jamie McMenamy Audio Director : Paul Mudra Supervising Sound Editors: Jeremie Voillot, Emile Mika Supervising Dialogue Editors: Patrick Michalak Supervising Music Editor: Scott Hanau Sound Designers: David Yingling, Blake Johnson, Jeff Dombkowski, Brooke Yap, Daniele Carli MPSE, Tyler Cornett, Tyler Hoffman, Christian Kjeldsen, Jeff Darby, Zack Bogucki, Aaron Sanchez, Kei Matsuo MPSE, David Goll, Adam Lidbetter, Alex Previty, Erik Buensuceso, Casey Slocum, Rob Castro, Gregory McCoach, Andres Herrera, Maria Rascon, Nathaniel Bonisteel, Noburo Masuda, Keiichi Kitahara Dialogue Editors: Keith Asack, Michelangelo Muscariello, Evan Hodick, Matthew Strasser, Jaime Marcelo, Ryan Schaad, Tim Schumann Music Editors: Andrew Buresh, Anthony Caruso, Ernest Johnson, James Zolyak, Justin Lieberman, Nicholas Mastroianni, Rob Goodson, Scott Bergstrom, Tao-Ping Chen, Ted Kocher, Tyler Crowder “Star Wars: Tales from the Galaxy’s Edge – Last Call” Oculus Quest Supervising Sound Editors: Michael Brinkman, Paul Stoughton, Kevin Bolen Sound Designers: Bill Rudolph, Jonathan Do, Andy Martin Dialogue Editors: Ryan Cota, Chris Gridley Music Editor: Clark Rhee Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award) “Build Me Up” The National Film and Television School Supervising Sound Editor: Wong Hui Grace “Cocon” Netherlands Film Academy Supervising Sound Editor: Freija Hogenboom Foley Artists: Camiel Povel, Annika Epker “Do Not Feed the Pigeons” The National Film and Television School Supervising Sound Editor: Joe De-Vine Sound Designer: Joe De-Vine “The Many Faces of Ava” The National Film and Television School Supervising Sound Editor: Dominika Latusek “Night of the Living Dread” The National Film and Television School Supervising Sound Editor: Miles Sullivan “Other Half” The National Film and Television School Supervising Sound Editor: Zoltán Kadnár “Pressure” The National Film and Television School Supervising Sound Editor: Antek Rutczynski Sound Designer: Antek Rutczynski “Échale Ganas, The Villa’s Tacos” Chapman University Supervising Sound Editor: Mingxin Qiguan Sound Designer: Mingxin Qiguan Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.
